Cinema in Turkey : A New Critical History by Savas Arslan download ebook DOC, DJV, EPUB
9780195370065 English 0195370066 Boasting nearly 7,000 titles, Turkey has produced more films than any other country in the Middle East or the Balkans. While the films enjoy great popularity at home, they haven't received the respect they deserve beyond their borders. Frequently, Turkey's cinema has been painted as imitative, simplistic or underdeveloped, casting it in shadow to the West. But things are finally changing. Turkish filmmakers like Nuri Bilge Ceylan are turning up in cinematheques worldwide. Critics are taking notice. And now general readers will have the overview they need to contextualize this remarkable body of work. Examining both popular genres and art films, Cinema in Turkey deals with the country's entire cinematic tradition, including not only its high point with Ye,sil�am-Turkey's popular film industry of the 1950s to the 1980s-but also its early years and current revival. In addition to surveying the cinematic landscape and recounting its history, Cinema in Turkey analyzes the arts conventions from which the first films emerged, region-specific permutations, and the cultural ramifications of Turkey's distinct forms of modernization and nation-building., With over six thousand films, Turkey has produced more films than any other country in the Middle East or the Balkans. Despite its prolific and popular nature, this national film industry has often been denigrated as imitative, simplistic, and underdeveloped. Taking up precisely these critiques, Cinema in Turkey provides a critical history of feature cinema in Turkey, considering how this cinema developed modes of communication reflective of both existing traditions and region-specific responses to modernization and nation-building. Focusing on both popular films and art cinema, this study deals with the history of cinema in Turkey, including not only its high point during the golden age of Yesilcam (as Turkey's popular film industry of the 1960s and 1970s is known), but also its early years and its current revival, the New Cinema of Turkey. This book not only provides the first comprehensive history of Turkish cinema in English, but also attempts to introduce a contemporary film-theoretical perspective to the examination of Turkish cinema, viewing it in a broader framework that goes beyond the canonical concerns of existing film histories and their art and auteur cinema related perspectives.
9780195370065 English 0195370066 Boasting nearly 7,000 titles, Turkey has produced more films than any other country in the Middle East or the Balkans. While the films enjoy great popularity at home, they haven't received the respect they deserve beyond their borders. Frequently, Turkey's cinema has been painted as imitative, simplistic or underdeveloped, casting it in shadow to the West. But things are finally changing. Turkish filmmakers like Nuri Bilge Ceylan are turning up in cinematheques worldwide. Critics are taking notice. And now general readers will have the overview they need to contextualize this remarkable body of work. Examining both popular genres and art films, Cinema in Turkey deals with the country's entire cinematic tradition, including not only its high point with Ye,sil�am-Turkey's popular film industry of the 1950s to the 1980s-but also its early years and current revival. In addition to surveying the cinematic landscape and recounting its history, Cinema in Turkey analyzes the arts conventions from which the first films emerged, region-specific permutations, and the cultural ramifications of Turkey's distinct forms of modernization and nation-building., With over six thousand films, Turkey has produced more films than any other country in the Middle East or the Balkans. Despite its prolific and popular nature, this national film industry has often been denigrated as imitative, simplistic, and underdeveloped. Taking up precisely these critiques, Cinema in Turkey provides a critical history of feature cinema in Turkey, considering how this cinema developed modes of communication reflective of both existing traditions and region-specific responses to modernization and nation-building. Focusing on both popular films and art cinema, this study deals with the history of cinema in Turkey, including not only its high point during the golden age of Yesilcam (as Turkey's popular film industry of the 1960s and 1970s is known), but also its early years and its current revival, the New Cinema of Turkey. This book not only provides the first comprehensive history of Turkish cinema in English, but also attempts to introduce a contemporary film-theoretical perspective to the examination of Turkish cinema, viewing it in a broader framework that goes beyond the canonical concerns of existing film histories and their art and auteur cinema related perspectives.